Denver Art Museum
The African Art section in the Denver Art Museum is breath taking. While walking through this section in the museum there are a variety of pieces ranging from wood to canvas. In this section you can either be taken back by the struggles these people have endured or be intrigued by the talented art pieces they have created. One of the most interesting pieces in this section to me was a piece by Olowe of Ise. One of Olowe’s last pieces Housepost is featured in the Denver Art Museum.Olowe of Ise was a young male born into the Yoruba community of Nigeria is 1873. (Denver Art Museum) The Yoruba community has a big effect on the types of art that was created by Olowe and others of the Nigerian Yoruba tribe. The Yoruba are known for their music, art and distinct language. Some of the most forms of art from the Yoruba are sculptures, masks and paintings. The Yoruba tribe used many resources that were plentiful to makes their arts. (University of Iowa)
The 1920’s decade is usually referred to as the “roaring twenties” by people of the American culture. In Nigeria the 1920’s was also a fierce time for someone to live. During the 1920’s in Nigeria they were going through modernization going from a pre-modern society where they had a specific ruler they had to follow to a modern society were they found a specific religion they would follow and would stick with that religion and the ruler. Women were gaining their independence from males, but were mysteriously missing. One of the main segregation factors in this part of Africa comes from the choice of religion. Many of the mask and sculptures that are now available worldwide comes from the carvers or artist choice of religion and how they depicted it. (Olukojo)
predispositions of Africans and their choice of music and music making the Denver Art Museum made sure to add this into this section. I found this to be phenomenal. The “Experience Africa Art with Music” section has headphones to listen to different forms of music the Africans made or were exposed to.Prajnaparamita the Buddhist Goddess of Transcendent Wisdom is said to have been sculpted around the 1200s. This piece is originally from Cambodia, Asia. This particular piece is one of the last surviving representations of the mother of King Jayavarman VII who reigned 1181–1218. Queen Jayavarman died prematurely, and her sister commissioned statues of her to be made. (Sacred Wind) The sculpture stands at 51 inches (4’3”) made of grey sandstone. The woman’s eyes are closed and she has a very gentle smile with closed eyes; commonly associated with the Bayon temple. Although her arms are broken off, they were probably extended. Her body language shows her at a relaxed state, almost like she was meditating. (Denver Art Museum)
Buddhism is one of the most recognized religions in Asia. Buddhism is a religion and philosophy encompassing a variety of traditions, beliefs and practices, largely based on the teachings attributed to Siddhartha Gautama. Buddhism is commonly known for the mediation state used to practice the religion. In the state the eyes are closed and the face seems very sincere while practicing. This practice help the people relax and move forward with their life. Siddhartha Gautama welcomed both men and women to join his monastic community. (Buddhist Studies) By taking this into perspective, the woman Prajnaparamita the Buddhist Goddess of Transcendent Wisdom would be taken as an equal to others in the Buddhist community.
The two pieces I have decided to compare and contrast is Housepost by Olowe of Ise and Prajnaparamita the Buddhist Goddess of Transcendent Wisdom by an unknown artist. I decided to use these two pieces because they seem very different but are closely alike. It can be viewed that they are both sculptures but the meanings behind them lie among the cultures of the artist and/or the era of the sculptures creation. Olowe sculpted a strong figure in his community and the unknown artist made a sculpture of a woman that had an impact on their community. People in the African population are usually taller than people in other locations, such as Asians. The sculpture can almost be said to be at scale of the people. Although The Housepost is made from wood and Prajnaparamita the Buddhist Goddess of Transcendent Wisdom is made from gray sandstone, they were both made from materials that were plentiful in their surroundings.







